It's that time of year again. It's Arashi album season. And yes, that means staying up late at night to loop these familiar voices in their new melodies. Fear not though, because our fab five have given us a pretty fine album this time!
As any Arashi fan who doesn't live under a rock might know by now, the new album is entitled Japonism (conception by Sakurai Sho), and its overarching theme? To fuse the beauty of Japanese musical elements into the usual pop/rock/whatever-it-is-that-one-labels-Arashi. Now, the whole fusing traditional with modern thing is something that's totally been done before by other Asian artists (Jay Chou, anyone?), and when it's done right, it can be absolutely soul-shatteringly brilliant. So how did Arashi do?
Dedicated to reviewing and coming up with pointless ramblings on all the amazingly kakkoii (and sometimes baka) exploits of the fabulous Japanese band Arashi, composed of the sleepy Riida Ohno Satoshi, the rapper (and honor student/newscaster) Sakurai Sho, the hyperactive ball of fun Aiba Masaki, the ever-charming ever-smirking and fashionably outrageous Ninomiya Kazunari, and finally the manly, sexy, vain perfectionist that is Matsumoto Jun.
Arashi
Showing posts with label album review. Show all posts
Showing posts with label album review. Show all posts
Sunday, October 25, 2015
Tuesday, October 28, 2014
The Digitalian - Album Review
The Vegetarian Digitalian is finally here, throbbing through our poor fangirl bodies in the form of an inexplicably irresistible mass of geometrically arranged... leaves and fruit.
It's probably a testament to Arashi's staying selling power that this album can still sell well despite the LE cover looking like this:
The Arashi members, just so you know, were all perfectly aware of how similar sounding "Vegetarian" is with "Digitalian" in Japanglish. You can say that this graphic is no accident. No ho... Hah. But all vegetable jokes aside, this album is actually coming at a very special time. Not only is this their 15th anniversary, but The Digitalian is also the successor to what is perhaps the most phenomenally polished and musically riveting Arashi album ever: LOVE. There's certainly a lot to live up to, and after producing something as amazing as LOVE, the standard for their music has certainly been raised, and I think fans will probably be less forgiving of sloppy music from now on.
And yes, I am a huge fan of LOVE, but I am aware that not all people might share my enthusiasm for it, so consider yourselves warned that this post will contain some LOVE/Digitalian comparisons and that everything written here is my own personal opinion, which has no musical or professional authority whatsoever.
Arashi is certainly trying their hardest with this new album. They're going for a "digital" theme, which manifests in a few heavily techno tracks, and a techno elements mixed into other genres here and there. They're doing something pretty new, and very very dynamic. In fact, if I had to describe this album in one word, it'd be dynamic. Movement and action just permeate The Digitalian, which makes it pretty different from LOVE, because LOVE was sleek, mature and had quite a smattering of weighty tracks like "Ai Wo Utaou" and "Yozora e no Tegami." It also showed off some beautifully tender Arashi sounds in tracks like "sugar and salt," "Sayounara no Ato de," "Tears." The Digitalian brings us something decidedly less ponderous. I'd say of the 17 tracks on this new album, only the 3rd and 16th ones, "Tell Me Why" and "Hope in the Darkness" qualifies as having the same subdued/weighty tones as the LOVE tracks mentioned above. The rest of the album is all about action, from the shake-your-shake-your-body "Zero-G" to the five-times exclamatory "Take Off!!!!!"
So without further ado, let's get into the specific songs.
It's probably a testament to Arashi's staying selling power that this album can still sell well despite the LE cover looking like this:
The Arashi members, just so you know, were all perfectly aware of how similar sounding "Vegetarian" is with "Digitalian" in Japanglish. You can say that this graphic is no accident. No ho... Hah. But all vegetable jokes aside, this album is actually coming at a very special time. Not only is this their 15th anniversary, but The Digitalian is also the successor to what is perhaps the most phenomenally polished and musically riveting Arashi album ever: LOVE. There's certainly a lot to live up to, and after producing something as amazing as LOVE, the standard for their music has certainly been raised, and I think fans will probably be less forgiving of sloppy music from now on.
And yes, I am a huge fan of LOVE, but I am aware that not all people might share my enthusiasm for it, so consider yourselves warned that this post will contain some LOVE/Digitalian comparisons and that everything written here is my own personal opinion, which has no musical or professional authority whatsoever.
Arashi is certainly trying their hardest with this new album. They're going for a "digital" theme, which manifests in a few heavily techno tracks, and a techno elements mixed into other genres here and there. They're doing something pretty new, and very very dynamic. In fact, if I had to describe this album in one word, it'd be dynamic. Movement and action just permeate The Digitalian, which makes it pretty different from LOVE, because LOVE was sleek, mature and had quite a smattering of weighty tracks like "Ai Wo Utaou" and "Yozora e no Tegami." It also showed off some beautifully tender Arashi sounds in tracks like "sugar and salt," "Sayounara no Ato de," "Tears." The Digitalian brings us something decidedly less ponderous. I'd say of the 17 tracks on this new album, only the 3rd and 16th ones, "Tell Me Why" and "Hope in the Darkness" qualifies as having the same subdued/weighty tones as the LOVE tracks mentioned above. The rest of the album is all about action, from the shake-your-shake-your-body "Zero-G" to the five-times exclamatory "Take Off!!!!!"
So without further ado, let's get into the specific songs.
Thursday, November 7, 2013
Arashi - LOVE Album Review
I finally got my album in the mail from my trusty old cdjapan.com. I could only get the Regular Edition, because the Limited Edition sold out. Sigh. I kind of wanted that PV of P.A.R.A.D.O.X. but I suppose I'll just have to live with the short teaser version (which, by the way, is already heart-stoppingly smooth and dangerous) and the screencaps that any generous fans may post on the internet.
So now, on to the album.
So now, on to the album.
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